RITA Here I Come

Well, it’s official, I entered the 2009 RITA contest with my December 2008 novella. Okay, okay, for the particular among you, Penny entered. Cindy (that’s me) doesn’t have a 2008-published book or novella to enter. Cindy is working hard to change that, but in the meantime Penny has to take up the slack.

Wish me luck. Not that I expect Penny to final. I do believe a Secrets novella has finaled in the RITA previously—like once—however, generally erotic romances have a tougher time finaling than do non-erotic romances. But! The point is, I had a novella to enter, and so I did. Yeah, me. Because, you see, the thing is, you have no chance in Hades of finaling if you don’t enter.

I’m not planning to attend the National conference in D.C. next summer. Financially, it’s just not in the cards. But I will say that I might have to attend if the novella finals. Two years ago, I said that finaling in the Golden Heart would be the only way I’d attend RWA Dallas in 2007, and then, wouldn’t you know it, I finaled. For the first time ever. You could have knocked me over with an empty cereal bowl! (Thank you to the pal who so graciously offered to share her hotel room with me at the last minute).

You know, after so many years entering the Golden Heart it still surprises me that the RITA costs less to enter. I wonder why? Anybody know? It’s ten bucks cheaper. Yes, published authors have to supply 5 copies of the book for the preliminary round and then another 5 copies for the final round, if one is so lucky as to make it there, so I guess the postage costs are higher. I know they’re scary from Canada—sending ONE Secrets volume to a friend in San Francisco this summer cost $11.00, and the book was $12.00 to buy. So the shipping for one volume was pretty much the same as buying the friggin’ book. That Canada Post, I tell ya. Grrrrr. But, other than postage costs and book-buying costs (Penny’s publisher doesn’t offer its authors crates of free author copies, so I bear the cost for books as well as postage for contests), I couldn’t tell you why the RITA is cheaper. Can you? (Not that I’m complaining, just interested…)

They’re Off!

As of yesterday, I finally got all my editor/agent requests from RWA National sent off. That’s a relief. The agent requests went over a week ago, but I needed to finish a chapter for the editor request that would end on a good hook. With Youngest Son’s birthday being this week and Eldest Son moving away to university in a few days, the household has been hopping. Helping E.S. is my priority until he’s ensonced in his new home-away-from-home, so don’t expect to see much of me around here. In fact, unless something amazing happens in my writing world, I’m ducking into my Motherhood Cave until sometime next week.

Have a great Labor Day weekend, everyone!

Impressions of Conference

Better late than never?

I really enjoyed National this year. Aside from getting sick, that is. I couldn’t find anything about the hotel to complain about. Excellent location, the elevators didn’t get clogged up, and I had an excellent roomie. The only thing I found weird about the hotel itself was how some workshops were held on the fifth floor, was it? I wasn’t paying that much attention due to the illness, but I seem to remember a hall of hotel rooms as well as the meeting rooms. I couldn’t help feeling like I was infringing on the guests of those rooms. Or did I get that wrong? Were there guest rooms on level 5?

I’m used to seeing a lot of signage at National. Bulletin boards with announcements, placards pointing the way. We didn’t get that this year. I kind of liked not having the placards and bulletin boards, but it did make the first day or so of conference a bit confusing.

My favorite workshop? That’s a tough one, because I attended very few workshops this year. I didn’t attend any on Thursday because of meetings and other functions, and then Friday I had editor/agent appointments, plus by then my sickness had invaded full force. I’m not even sure I attended a workshop on Friday! Crazy, huh? Well, not so much. The more conferences I attend, the more the conference becomes, for me, a networking and business meeting environment. I can only attend so many workshops on similar themes. I understand the Eric Maisel Creativity workshop and the Save the Cat workshop were divine. However, both were two hours, and I didn’t have the energy to sit there that long. (Yes, I’m pathetic.) I must seriously consider ordering the podcasts for these two workshops, however. 

Attended a lot of Spotlights, including the Sourcebooks Spotlight. I also had an opportunity to meet the Sourcebooks editor one-on-one Thursday before lunch. I just love putting a face to a name.

Thursday afternoon revolved around meetings with Penny’s Red Sage editor and publisher, then the Red Sage Coffee Mixer, which was packed!

Friday, more appointments. Met with two agents, one outside of the official RWA appointments. Both meetings went well, however, I was quite dizzy during the official appointment, and I’m not sure how I came across. Like a ditzy brunette? I warned the agent that I wasn’t feeling well and for that same reason I decided not to shake her hand. We hit it off on a personal level (well, I did—maybe she thought I was nuts!), but, as they say, it’s in the writing.

My second agent appointment went swimmingly, if you don’t count that I had a hard time figuring out the message she left on my cell phone about where to meet her, both because there were voices in the background and because my ears were blocked. I scampered up two or three escalators while re-playing the message until I figured out that she was waiting for me at the top of the escalator for the Terrace Something restaurant. Again explained about the illness.

With all these explanations about the illness, I’m now realizing I didn’t actually pitch to any of the agents. We talked about my and Penny’s careers and what single titles I had going for both personas, but only in general terms (ie., erotic romance single title and contemporary romance with a mystery sub-plot). The editor, however, did ask me to read the pitch for the contemporary romance. And read it I had to do. I’d had it memorized, but no way was I relying on my memory with my brain so befuddled by the cold, so I read from my index card, lifting my head every few seconds to make eye contact. The result was the editor asked me to re-send the full of the erotic, which she saw last fall pre-revisions when it was a very hot contemporary, and she asked me to send as much as I have polished of the contemporary with mystery subplot. That’s about half the book. I need to finish a chapter, and then I’ll send her both books in the same package.

Fulfilling the editor and agent requests is my goal for this week. All in all, I received a request for one full and one extended partial from an editor, and requests for 5 partials from 3 agents (two wanted partials of both the erotic and non-erotic story while one agent wanted a partial only from the finished book, which is the erotic). Looking back, I can’t complain.

How about you? Any gripes or raves about conference? How did your editor/agent appointments go? I had grandiose plans to haunt the appointment desk Friday and Saturday and snatch up any skipped or cancelled appointments, however I felt bad enough putting the scheduled agent and editor through my disastrous “pitches” without exposing more industry professionals to my germ-laden self.

Saying No

Some of you might remember that a few weeks ago I received an offer from an epublisher to re-issue my romantic comedy short story, Deceiving Derek. After an interesting discussion and much thought, I decided not to accept the offer. I let the acquiring editor know late last week, and she was very gracious about keeping the door open for future submissions.

The publisher in question has a good reputation, but, in the simplest terms, the timing wasn’t right. For me. Yes, Deceiving Derek is “only” a short story, and, yes, it’s been published before, so this would have been a re-issue and why not just get the story out there again? Because. It’s not enough to just put the story out there again, how and when it goes out has to work for me. Unfortunately, because of other opportunities that may or may not pan out, the “work for me” and the “timing not right” issues outweighed the thrill of the contract offer. Because it’s always a thrill when an editor and house wants to publish your work, but, in this case, the thrill alone wasn’t enough.

How about you? Having you ever said no to a contract? Am I insane?

Presenting…Maureen McGowan

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Maureen McGowan is a fellow Canadian and Golden Heart Finalist ’07 sister who correctly ID’ed Lucienne Diver’s agent on my blog several days ago. To celebrate her cleverness, I’m pimping her today. Uh, by “pimping,” I mean Promoting Industrious Maureen-McGowan’s Publishing-Journey, not that, um, other sort of pimping. 

I first “met” Maureen when I judged the partial of her brilliantly funny women’s fiction novel, THE MISEDUCATION OF APRIL HILLSON, in a contest. I can no longer recall which contest it was (although I believe it was the RWA ChickLit chapter’s Get Your Stilleto in the Door contest). Maureen’s writing style, voice, and characterization of April blew me away. That manuscript also earned Maureen her finalist slot in the Golden Heart, Novel with Strong Romantic Elements category, last year, and, in the last few months, was a semi-finalist in the Amazon Breakthrough Novel Award, where an excerpt is still available for free download. 

As an unpublished author, Maureen is doing everything right. It’s only a matter of Timing before some lucky editor snaps her up. She has a beautiful website, a presence on Publishers Marketplace, and she’s represented by the stellar Knight Agency. Please visit her solo blog and/or her group blog, Drunk Writer Talk (with a title like that, how can you not visit?) And don’t forget to check out the free download of THE MISEDUCATION OF APRIL HILLSON.

 

Tell Me Tuesday–I’ve Been PANned

Not much to report in the WIPpy department. The writing is going well, but I’m still in the No Man’s Land of writing new scenes before I get to begin revising the scenes drafted during my NaNoWriMo experiment. The closer I get to those drafted scenes, the more I realize that the manuscript might just fall in line with my “plodding” (a.k.a. plotting). This, of course, amazes me to no end. And I have my brainstorming group to thank for it, because I couldn’t have done all that plotting without them (thank you, Looney Binners!).

My big news this week (well, last week or the week before, but I don’t think I’ve announced it yet), is that I’ve finally been admitted to RWA’s Published Authors Network (a.k.a. PAN). My Alter Ego’s third sale to Red Sage Secrets did it. It’s taken me so long to get here: two novel sales and three novella sales. Phew! And, if not for the change in RWA author eligibility standards last summer, I still wouldn’t belong to PAN. Because, before the changes, novella sales, regardless of advance level, didn’t count. Only novel sales counted, and my two Amber Quill novels, as amazing as they are, have not yet reached the level of income generation (LOIG – and, yes, I made that up) required to join PAN. However, now I am in PAN and they can’t get me out. Mwahahaha.

I know not everyone in RWA is happy with the changes to the eligibility requirements, but, I have to admit, being in the position of being able to continue entering the Golden Heart although I was in fact a published author always felt weird to me. This year, for the first time, because of the changes, I was able to enter the RITA, RWA’s contest for published works. Even though I didn’t final with either my or my Alter Ego’s entries, that I get to enter feels, well, exactly where I should be.

I was also able to join NINC this year (Novelists, Inc.). However, NINC’s membership requirements are different from RWA’s (which makes sense, considering they are different organizations). When I joined NINC in the fall, the requirements were two published novels. HEAD OVER HEELS and BORROWING ALEX qualified me. Last I knew, NINC was in the process of changing its membership requirements to one that might also include an income generation level (IGL for those into acronyms, as I, um, appear to be), however, seeing as I’m already a member, even if my earnings don’t reflect the minimum (I have no clue if they do), I don’t have to worry about it. I’m grandfathered in, and, unless I allow my membership to lapse, they can’t get me out. Mwahahaha.

Does anyone else have good or bad or lackadaisical news to report?